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SAMUEL FINLEY BREESE MORSE

LITTLE MISS HONE, 1824

About the Artwork

Samuel F. B. Morse was an artist before he became an inventor. Shortly after graduating from Yale College, Morse went to England for four years of study. During the late eighteenth century in Great Britain, Thomas Gainsborough, Sir Joshua Reynolds, and others had painted numerous pictures of children in a sentimental manner. Cats were often included in pictures of little girls, and in some paintings, such as Joseph Wright of Derby’s Two Girls Decorating a Cat by Candlelight (1770, English Heritage, Kenwood House, London), the kitten’s young owners played with them as if they were babies. When, after returning to the United States, Morse was commissioned by Isaac Hone, an affluent New York auctioneer, to paint his five-year-old daughter, he remembered the art that he had seen in England and decided to show her rehearsing for her future role as a mother. Morse wrote to his wife in 1824, “I am engaged in painting the full length portrait of Mr. Hone’s little daughter a pretty little girl just as old as Susan [Morse’s daughter]… . I shall paint her with a cat set up in her lap like a baby, with a towel under its chin, and a cap on its head, and she employed in feeding it with a spoon.” Mimicking adulthood, Mary Hone is dressed up in a fancy hat, elegant gown, and shawl. Her stylish attire and the fashionable Greek Revival furnishings of her surroundings underscore her family’s wealth.

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MFA Prints On-Demand offers exclusive custom reproductions of artworks in the Museum of Fine Arts, Boston collection. Thanks to gallery-quality materials, we create prints as true to the original work as possible, using strict color management protocols and state-of-the-art printing technology.
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All reproductions you find in this store are approved by MFA Boston. We are continually adding new artworks to our offering, so be sure to check back regularly as you build your own gallery. A variety of molding styles means our custom framed prints can match any type of decor.

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