Although Edmund Charles Tarbell had been exposed to Impressionism during his student days in Paris from 1884 to 1886, it was not until 1890 that he started painting in this progressive style. His conversion was no doubt influenced by the exhibition in 1890 of Sargent’s A Morning Walk (private collection), the first of his Impressionist works to be shown in Boston. Tarbell painted Mother and Child in a Boat using his wife Emeline and daughter Josephine as models. He rendered the shimmer of light on the water and the dappled sunlight on the rowboat and costumes with strokes of pure color. Reluctant to relinquish his hard-earned drawing skills—his avowed purpose for studying in Paris—Tarbell carefully delineated his wife’s hands and features and deftly foreshortened his daughter’s left leg. The overhanging branches and high viewpoint, aspects borrowed from Japanese prints, provide an intimate view of these figures in a boat, a popular motif for both French and American Impressionists.